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Nasim G. Pachi, Series, Molting II, 80x100 cm (31.4x41.3 inches), oil and acrylic on canvas, 2014
Nasim G. Pachi is an Iranian-German contemporary painter whose work confronts culture, tradition, and the restrictions they p...lace on individuals, particularly women.
Her monumental canvases are richly detailed, contrasting the female form with intricate patterns of fabric or mosaics. Their enticing aesthetic draws in the viewer until we are forced to reflect on the importance of choice and individuality amid the complex rules of society.
Born in Iran, Pachi studied in Germany and has lived and worked in various countries across Europe, West Africa, and Asia.
Her experiences have revealed that people and their actions can be just as complex beyond Iran’s borders as within them.
Her paintings investigate this, encouraging both artist and viewer to reframe their own identity in a global context.
Pachi’s work has been exhibited and collected internationally. She holds Masters of Arts in Illustration from HAW Hamburg, Germany. She currently lives and works in Tokyo, Japan. Read more
Dreaming of Lions
140x180cm(55x70.8 inches)
oil and acrylic on canvas
2016
140x180cm(55x70.8 inches)
oil and acrylic on canvas
2016
Caught in a Spin
190x180 cm (74.8x70.8 inches)
oil and acrylic on linen
2022
190x180 cm (74.8x70.8 inches)
oil and acrylic on linen
2022
Series, Contemplating Freedom II
100x130 cm (39.4x51 inches)
oil and acrylic on linen
2019
100x130 cm (39.4x51 inches)
oil and acrylic on linen
2019
My work explores the complexities of personal identity, often juxtaposing cultural patterns with the female form or figures with concealed faces. These richly layered portraits challenge viewers, provoking thoughts on freedom, identity, and gender.
My journey through life, from growing up in Iran, studying in Germany and working across various countries, has given me different perspectives and fuelled my creativity. Experiencing new cultures and societies has inspired me to investigate and reflect on my own identity.
The patterns I incorporate into my art are influenced by the cultural motifs of the countries I have lived in. These patterns are not just symbols of identity; they metaphorically reveal the complexity of human-crafted culture and society, which at times imposes restrictions and pressure on individuals.
The bare body confronting these patterns represents the natural harmony of a free individual who observes, adjusts, explores, and sometimes defies or even protests against such limitations. This individual seeks dialogue and connection.
My preferred medium is oil and acrylic on linen.
To create the final sketch for my paintings, I begin by conceptualising an idea and then bring it to life through a process of photographing and editing numerous shots of my subject. This process can take anywhere from days to years. I prefer to work on multiple paintings simultaneously as this approach allows me to explore different creative avenues.
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