Artist Liked
Terra Goolsby, Wolfed Sun, 54 x 17 x 10 inches, Porcelain and Leather from vintage coat, 2023
Terra Goolsby is an Austin, Texas-based artist and professor at UT Austin. She earned an MFA in Sculpture from Rhode Island S...chool of Design, where she was a Presidential Scholar. She also conducted independent research at Brown University with Gail Cohee, Department Head of Gender and Sexuality Studies, where she identified her obsession with the deconstruction of Mesoamerican and contemporary mythologies.
Multiple residencies have shaped her career, including West Dean College of Sussex University in Chichester, England: Vermont Studio Center: and I-Park Foundation in New Hampshire. In addition to her status as a Presidential Scholar at RISD, Terra has received the Thantopolis Honorarium, Edward James Fellowship and Scholarship, Dimension Gallery Fellowship, and multiple grants.
Her work has been exhibited internationally at galleries and institutions such as Dallas Contemporary, Umlauf Sculpture Museum and Garden, The Houston Center for Contemporary Craft, Ivester Contemporary and Anya Tish Gallery. She is one of the founders of Icosa Gallery. Read more
Horned 2
18 x 10 x 9 inches
Porcelain and fur from vintage coat
2023
18 x 10 x 9 inches
Porcelain and fur from vintage coat
2023
Astronomical Dusk
44 x 10 x 7 inches
Porcelain and Shawl Tassel
2023
44 x 10 x 7 inches
Porcelain and Shawl Tassel
2023
Civil Dusk
24 x 9 x 6 inches
Porcelain and Shawl Tassel
2023
24 x 9 x 6 inches
Porcelain and Shawl Tassel
2023
I am a Mexican American multimedia artist that produces sculpture and works on paper to connect old narratives and make new aesthetic assessments. While studying at RISD in the northeastern United States, I unexpectedly missed family and the southwest and began to mine Meso-American mythology as a means of soothing my longing for home. What started out as a consolatory process, evolved into a reflexive exploration that compelled me to re-identify with my cultural heritage.
I use materials and studio processes that relate to the concepts within the myths that I explore. Like the shapeshifting Nahual, in my Nahual Series, I use clay to create transitory objects that depict abstract figures fluidly morphing into other forms. I use Grolleg porcelain, a clay body that has enough water and elasticity to withstand the trauma of being bent, stretched, and contorted in order to take on its form. Bits of bone, fur, and fabric from my own and my family members’ clothing emerge from the folds, offering a glimpse of its future and former self.
These concepts are in constant states of negotiation, navigating the common threads between current existence and ancestral tradition. The stories encased within my work bring origin and self recognition into question, inviting viewers to blur the lines between the inside and outside, the public and private , reflecting our individual need for cultural sustenance in our splintered American landscape.
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