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Amy Spitzer, Sunflowers/Ukraine, 24" x 20", Oil on canvas, 2022
Amy Spitzer has worked as an artist for almost 50 years. As a child, she loved to draw and paint and began her journey as an ...adult artist after participating in a foreign studies program at Waseda University in Tokyo and living with a Japanese family. The arts, which pervade Japanese culture and activities of daily living, reawakened Spitzer’s own need to express herself as a painter.
Several months after completing painting and drawing classes at Wellesley College, Amy became a private student of acclaimed painter Richard Yarde, and then returning to Chicago in 1978, she briefly studied painting and color at the School of the Art Institute of Chicago. Since then Spitzer has continued to teach herself a painting method used by master painters from the Renaissance to the 19th century and adapted it for contemporary materials and expression.
Over the years, she has been in conversation with other contemporary artists and has exhibited in various national and local shows juried by notable artists, critics, and curators. Beyond the contemporary art scene, she has leveraged her work experiences in social networking and online marketing to gain an even wider audience for her work as an artist and a teacher. Through her love of art, people, and conversation she aims to connect with a broad public interested in contemporary, modern, and historically significant works. Read more
The Chinese Vase
28" x 36"
Oil on canvas
2017
28" x 36"
Oil on canvas
2017
The Yucatan Jug
40" x 40"
Oil on canvas
2012
40" x 40"
Oil on canvas
2012
The Luncheon
60" x 72"
Oil on canvas
2016
60" x 72"
Oil on canvas
2016
I create work because I am compelled to make order in an entropic universe, to understand my personal history and history in a larger context to find meaning in the present. I want to share these "expressions" with others and to generate conversations about how their experiences and mine align and how they differ.
I continuously strive to abandon internal controls that do not serve me in life or as an artist. I struggle with everyday life experiences and work to give voice to my challenges in my painting. These efforts and my appreciation of blessings shape my vision.
From the start, I have represented my inner world as a three-dimensional realm—sometimes an interior with a window view or a mirror reflecting an imaginary place or people gathering or a person, a portrait. However, the painting is a unified, impenetrable surface of flat shapes (a puzzle), and I want viewers to see/understand this dimension as well. A painting, like life, is a paradox.
I manipulate these "opposing" dimensions and ideas to create work that has dynamic unity. Sunflower stems overlap to form an X-shape, a table seemingly reflected in a mirror transforms to a table inside and outside the mirror and the mirror frame to a simple, rectangular contour. Often, the viewer doesn’t see these individual manipulations, but if successful, they stimulate a more sustained and imaginative reflection and a feeling of looking at something of life, something that changes from one thing to another and then another.
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