My artistic practice begins with listening and observation—of lines, emotions, and the tensions between what appears and what gradually reveals itself. Each work is a passage, a threshold between intuitive gesture and reflection on the visible and the unseen. I navigate the boundary between the physical and the digital, where matter meets code, and the memory of the hand-drawn line is reimagined through digital processes. My approach, which I call Digital Stain Immersion, is more than a technique—it is a way of inhabiting time through making. The image unfolds in successive immersions, like a surface absorbing, filtering, and reflecting back. My work explores themes of identity, perception, and consciousness, often inspired by thinkers such as Gilles Deleuze, for whom thought is a line in motion—a diagram that does not represent but acts. My images are transitional spaces, unstable constructions seeking a balance between order and chaos, structure and flow. My aim is not to explain, but to evoke—to offer viewers an open visual experience, where each fold of color, each trace of gesture, becomes an invitation to look inward, to question what we think we know, and to allow new meanings to emerge.