My practice begins with listening and observation — of lines, emotions, and the tensions between what appears and what gradually reveals itself. Each work is a passage, a threshold between intuitive gesture and reflection on the visible and the unseen. It begins with a mark traced before intention, closer to a perceptual note than a deliberate act. Through Digital Stain Immersion the image unfolds in successive immersions — like a surface absorbing, filtering, and reflecting back — more than a technique, a way of inhabiting time through making, before settling into the resistance and depth of the painted surface. Where I recognize Gilles Deleuze — thought as a line in motion, a diagram that does not represent but acts — it is after the fact: the practice precedes the theory. My images are transitional spaces, unstable constructions seeking a balance between order and chaos, structure and flow. My aim is not to explain but to evoke — an open visual experience where each fold of color, each trace of gesture, becomes an invitation to look inward, to question what we think we know, and to allow new meanings to emerge.