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Don Keene, Country Re-Union, 80x72", Oil and Oil Stick on Wood Panel, 2025
A product of Pasadena's Art Center College of Design, Don Keene has exhibited at the Walter Wickiser Gallery, Lichtundfire Ga...llery and Synchronicity Space in New York City, among many others in Westchester County, NY, as well as along the Connecticut Shoreline. His work emerges from a space of push and pull within the context of our daily lives. When we are constantly searching for ways to nurture ourselves and others while struggling to keep up with the relentless pace of everyday life, how do we not lose our sanity? How do we avoid getting lost in the chaos? While Keene’s work may not provide a direct answer to these questions, it offers a visual representation of the struggle to find balance while being acutely aware of the surrounding turmoil. In Keene’s paintings variations of incomplete figures appear to merge together, brought to life through bright, contrasting colors and dynamic, varied brushstrokes. Similar to a fragmented memory or an incomplete thought, the figures feel as though they are in motion, yet they perfectly capture the juxtaposition between peace and chaos. Long-time influences, among others, include Max Beckmann, Edvard Munch, Bob Thompson, George McNeil, Richard Diebenkorn, David Park, Francesco Clemente, R.B. Kitaj and Willem de Kooning. More recent influences include Cecily Brown, Dana Schutz, Cristina de Miguel, Robert Nava, Eddie Martinez, Joe Bradley and David Humphrey. Read more
Mother’s Corset
80x72"
Oil and Oil Stick on Wood Panel
2024
80x72"
Oil and Oil Stick on Wood Panel
2024
Flying With Friends
40x36"
Oil and Oil Stick on Wood Panel
2025
40x36"
Oil and Oil Stick on Wood Panel
2025
Recreation Hour
54x60"
Oil and Oil Stick on Canvas
2025
54x60"
Oil and Oil Stick on Canvas
2025
These paintings are part of my ongoing “Family Dynamics” series examining the struggles, fears, joys, mysteries, frustrations, contradictions and idiosyncrasies of being a member of humanity in an increasingly chaotic and mystifying world, the concept of “family” signifying one of traditional insularity or the global human family, with direct parallels often uncomfortably emerging. Accordingly, and not surprisingly, disjointed scenes of psychological weight play out in these stark, roughly rendered portraits of interrelated but seemingly detached figurative entities. Regardless of the intended meaning or expected outcome at the center of these dramas, the duality of the central characters’ isolation and their quest for connection portends either a disturbing edge or a calming serenity, with the question of which left lurking in the details. Here all human desires involve some degree of struggle, doubt and alienation, yet can ultimately reveal a path to joy or at least acceptable resolution.
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