Artist Liked
Andrew Carnie, A Tale of Two, size variable, USB programmable fans, sensors, black voile screen and 5 min repeating HD video, 2019
Andrew Carnie is an internationally exhibiting contemporary visual artist practicing in the UK. His main concerns focus on th...e interface of art and science, often working in collaboration with scientists, though not exclusively. His approach is media agnostic, using methodologies and media as informed by the context, concepts, and concerns. Drawing, painting, and sculpting have an enduring place in his practice, but video, projection, and installation are his primary strengths.
He creates environments that are endlessly fascinating around subjects, like heart transplants, metabolism, and neurological conditions that intrigue him, and engage audiences in how we see ourselves through the world of science.
Recent work has been shown at the Fundación Telefónica, Madrid. the CCCB, Barcelona, Centro de Historia de Zaragoza, Zaragoza, Brain Observatory, San Diego, Kunsthall Charlottenborg, Copenhagen, the RSU Anatomical Museum, Riga, and Spencer Museum of Art, Kansas, Old Operating Theatre, London, and Portsmouth Museum and Gallery, Portsmouth. Read more
Blue Matter
2.5 x 12 meters
28 min four-channel HD video, on black voile screen
2019
2.5 x 12 meters
28 min four-channel HD video, on black voile screen
2019
Storm Level: fair Isle
3.7m x 2m
twelve line lasers, voile tube and panels, tent poles, fan, clamps and sensors
2019
3.7m x 2m
twelve line lasers, voile tube and panels, tent poles, fan, clamps and sensors
2019
Crack of Light
size variable
LED strips light player and microphone with 12 min repeating HD video on black voile screen
2019
size variable
LED strips light player and microphone with 12 min repeating HD video on black voile screen
2019
Featured in these images is work from the Illuminating the Self exhibition, which is the culmination of a three-year collaboration with the Newcastle University-led CANDO research project. This is work from just one of many projects; the other projects can be seen on my website.
The project has had extensive support from the Wellcome Trust Public Engagement Fund. At Newcastle University there is a long history of fruitful collaborations between artists and scientists. The exhibition shows the strong lines of connection between two fields often assumed to be polar opposites. Themes within the exhibition include the human perspective of living with epilepsy and the neurological processes happening within the brain. The work also explores ideas around Optogenetics, the technology being used by the CANDO project to prevent seizures, and how external manipulation of the brain might alter our sense of self.
Blue Matter, immerses the visitor in an imagined landscape of the brain. Visual metaphors are created through a combination of drawing and computer animation. Silhouettes of the brain emerge as beautiful and powerful yet at the same time mysterious and enigmatic. Tree-like forms move and shift mesmerically; jagged lines intermittently cut across them like activity in the brain disrupted by a ‘seizure’. The fragile and delicate forms suggest an idyllic landscape – the brain as the Garden of Eden – perfect and untouched.
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