Through exploiting the driving, accumulative qualities of drawing and investigating the process of mark-making, the language of drawing has become both a means of self-expression as well as a system of thinking for me. The practice and process of marking a surface has moved to the level of obsessive fixation, and compulsive necessity. I consider my non-figurative work biology as self-portraiture, where the artist, present as the only inhabitant in the drawing recodifies personal identity – interrogated, erased, even hybridized and reformed.