Artist Liked
Clara Nartey, All Lit Up, 40"x30", Embroidery threads, printed fabrics, felt, 2022
Clara Nartey (b. Accra, Ghana) lives and works in New Haven, Connecticut.
Nartey spent the first part of her career working ...with large corporations as a management consultant. Then, she went on to develop a rigorous self-taught art practice. Her unique artistic style meshes drawing using threads, with digital painting, machine embroidery, and quilting on the artist’s own designed and printed textiles. Her practice reimagines painting and drawing through textiles, using colored fabrics as paint and stitching and thread work for drawing.
Nartey’s bold, colorful, and textured figurative works have been exhibited widely. Her exhibitions include The Joy of Living II, Yale School of Management, New Haven, CT; Fabric of Identity, Anderson Gallery - Bridgewater State University, Bridgewater, MA.
Her work is held in both private and institutional collections. Notable educational institutions like Yale School of Management, which owns multiple pieces, and Dana Hall School, not only have permanent installations of Nartey’s work but have also incorporated her work into their curricula as educational tools for raising the next generation of leaders. Read more
Radiance
40"x30"
Embroidery threads, printed fabrics, felt
2022
40"x30"
Embroidery threads, printed fabrics, felt
2022
Sunny
40"x30"
Embroidery threads, printed fabrics, felt
2024
40"x30"
Embroidery threads, printed fabrics, felt
2024
The New Havener
24" x 18"
Embroidery threads, printed fabrics, felt
2025
24" x 18"
Embroidery threads, printed fabrics, felt
2025
Inspired by my African heritage, I use fabrics to tell and weave together stories that link people of African descent across its diasporas.
My artistic practice reimagines painting and drawing through textiles, using colored fabrics as my paint and stitching and thread work for drawing. I paint digital portraits, print them on fabrics, then add depth and texture with intricate machine embroidery. This approach transforms two-dimensional surfaces into tactile experiences, pushing material boundaries to expand the language of painting and drawing; embracing techniques often sidelined in Western fine art.
Through my work, I spotlight intricate Black hairstyles, symbolizing the nuanced dynamics of strength versus vulnerability. For instance, Black hair looks tough on the outside but is easily susceptible to damage, my work explores seemingly contradictory themes such as extracting light from darkness, finding joy amid despair, and forming community from our individual quests.
Each piece serves as a mirror, reflecting viewers’ own stories and inviting exploration of universal themes within the context of African history and contemporary experiences.
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